Introduction to Graduate Liberal Studies (MALS601)
gateway experience for incoming MALS students. Students learn the
conventions and expectations of graduate-level reading, writing,
research, and critical analysis and explore the concept of
interdisciplinarity. Topics include documentation of sources,
formulation and development of independent research projects, research
methods, use of online databases. The content will be interdisciplinary
and/or intercultural, and the course methodology will include lecture,
discussion, independent research, and varied forms of academic writing.
Nature and Human Nature (MALS600)
the development, status, and understanding of humanity within a larger
context, e.g., how writers in various disciplines have defined humanity,
nature, and the relationship between the two, or the interaction
Force, Conflict and Change: World War II (MALS610)
seminar will provide an overview of the causes, course and outcome of
World War II and the general impact it had on world history until the
fall of the Soviet Union in 1991. The seminar will use an extensive
collection of oral interviews of World War II veterans (American, other
Allied and Axis, both men and women from all theaters of the war)
personally conducted by the instructor to illustrate the conflict.
The Arts in Context: Drama in Performance (MALS617)
This course proceeds from the premise that drama is designed to be performed, not just read. To that end, we will focus on productions by UD's Resident Ensemble Players, and several members of that group will be visiting our class. Other visitors will include directors, designers, and reviewers. In addition, we'll look for opportunities to attend plays off campus, including optional trips to Wilmington and Philadelphia. The course will also include a unit on film adaptation, and each student can choose one work by a major playwright (such as Shakespeare, Tennessee Williams, or August Wilson) to see ways that a movie reworks a dramatic text. "Drama in Performance" will not require acting talent (as the professor himself will illustrate), but each class meeting will include brief, unrehearsed readings from the plays being discussed.
Interpreting the Past: The Dream of Empire (MALS622)
have always been empires. Their number far exceeds the number of
democracies of any sort that have ever existed. Why is this so? How
are empires born? How to they grow and flourish? Why do they die?
Most important of all: what do they do to and for those they rule and
what do they leave behind when they vanish? All these questions will be
explored through history and literature. This course will be based and
reading and class discussion and a course essay will be required.
Imperial Sunset: The Decline and Fall of European Empires in the 20th Century (MALS667)
1914 Europeans--and their overseas offshoots--ruled the world. In less
than 50 years these empires had all vanished, often leaving wreckage
and ongoing conflict behind. This half century of dramatic
transformation largely shaped our world. How and why it all happened
will be the focus of this course.
Beyond Sight: Rhetoric and Race in Contemporary Times (MALS667)
This course draws on approaches to rhetorical theory, critical race theory, visual culture, and new media technologies to explore relationships between words and images. Written discourse increasingly involves visual dimensions that are influenced (and sometime controlled) by writers, and this understanding is most concretely rendered in areas that depend on technology. In a real sense, technology has pushed us to see visual dimensions of meaning as falling under our influence as writers and scholars in the humanities. Visual rhetoric also places audience in the center of theories of the visual and the design process. We will be looking at images, magazine covers, pages and screens other people have designed, and figuring out why (or why not) they succeed in doing what they set out to do. Throughout the course, we will be working to answer questions like the following:
- What happens if we approach visual rhetoric only as reception (or interpretation) and not as production?
- How do we, as scholars, learn to see and come to understand ourselves as viewers?
- How are racialized subjects produced through practices of looking?
- How can writers, designers, and decision makers for businesses build responsible documents for specific and general audiences?
Outcomes for scholars in the course include:
- Identifying issues for visual rhetoric in writing studies and other disciplines
- Connecting theories of rhetoric, race, and visual culture
- Writing and producing a visual story by applying visual rhetoric and race in the service of the classroom or another community
Memory Speaks: The Craft of Contemporary Memoir (MALS667)
document, explore, commemorate, and ultimately to understand the
relationship of ones' life to history is no easy undertaking, but this
is the task of the memoirist. From the initial recollection of events
to the quest to bestow upon these events inward and outward meaning,
memoir is a public genre, and it requires the imagination of the
storyteller, the knowledge of the historian, and the discipline of the
editor: a delicate interplay of skill and talent that, with practice,
yields memorable literature. Creative, contemplative, and critical, Memory Speaks
is a disciplined exploration of the theory and practice of written
recollection, grounded in reading and discussion of influential
memoirists' work as well as workshop discussion of participant work.
Two Cultures: Four Epochs (MALS667)
This course will focus on iSTEAM (Interdisciplinary Science, Technology, Engineering, Art, and Mathematics). We will address the classic division between STEM and the arts and humanities and how we might build a "Third Culture." We will couple four plays/movies with counterparts in science, technology, and society texts: Bertolt Brecht's Galileo with his notion of revolutionary theater with Thomas S. Kuhn's Structure of Scientific Revolutions; Jerome Lawrence's and Robert Edwin Lee's Inherit the Wind with Charles Darwin's On the Origin of Species as an abolitionist anti-slavery, anti-racism thesis; Anna Ziegler's play Photograph 51 about Rosalind Franklin's role in the discovery of the structure of DNA with Anne Fausto Sterling's Myths of Gender: Biological Theories about Women and Men on sexism in science; and Margot Lee Shetterly's Hidden Figures: The Story of the African-American Women Who Helped Win the Space Race with Robert Moses and Charles Cobb's Radical Equations: Math Literacy and Civil Rights.
Who, or What, Drives History? (MALS667)
Historians have long argued about what powers historical change. The dominant answer, until after World War II, was: great individuals (usually Great Men). Then historians began to widen their view: demographic changes, climate change, new technologies, the rise of new social groups (or the rediscovery of neglected ones), new ideas--all these seemed of greater import than any individual, no matter how dazzling (or horrifying). Focus on the individual became the province of biographers, with whom historians were often reluctant to claim kinship, or, worse yet, the playground of novelists, playwrights and film makers. The argument goes on, and we will join it in this seminar. We will look at a trio of great figures: Elizabeth I, Winston Churchill--and each student will fill out the trio with a person they choose to investigate.